平遙的作品: laughing 哥

針孔雙拼立體相 程展緯

攝影經過數碼科技的洗禮，強化了造像能力卻使影像的真實性與攝影機的關係
斷烈，立體攝影技術至今還是一種未完全被科技征服的攝影領域，觀衆享用預
設的視覺效果同時要放棄自身平常觀察事物的狀態，扭曲身體機能方可進入預
設的經驗，在一個本來立體的世界進入另一個立體的世界，卻過瀘了原先立體
世界的內容，剩下立體的感觀，副作用是看多可能會引致嘔吐。
(觀看指導: 載上3D眼鏡，左右眼分別聚焦在相片的手掌圖案，調校雙眼焦距，
直至手掌圖案完全重叠。)

As time goes by, digital camera has been popularized and the function of capture has
been enhanced, simultaneously, a deep rift has been started between image authenticity
and camera. 3D photography has not completely conquered by the world of digital
photography, its audience has to forsake their usual way of observation, and also distort
his body function in order to experience the default visual effect, by the same token,
he changes his way of seeing into another 3D world, the message in previous world is
filtrated and only the sense of 3D object is left. The side effect is, you may vomit by
seeing too much.

(See guidance: wear the 3D glasses, focus your right eye and left eye on the palm in the
photos, adjust the focal length until the palms completely overlapped.)

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岳敏君說笑的人不用腦子...我把笑臉貼在車頭上